Hi, The amount of money you get from the PRS for a live performance can vary depending on which type of venue (i.e pubs/clubs, concert halls, festivals etc…) Just go to the “report live performance” section in the PRS website and fill in the details. If your songs are already registered with the PRS, then you can use the tunecodes and song titles that they gave you. If not, you will need to register the songs before making a claim.
I play a lot of pub gigs and each gig makes about £3-£6ish. But every 3-4 months I get a payment from the PRS of anything between £100-£400, depending on how many gigs we do. One time I got a payment of £2800. Dunno why, but I never questioned it.
After you report the performance, you might need to wait a few months for the money to come through. Just check the live performance royalties distribution schedule. If you miss the cut off date then you will just be paid in the next distribution a few months later. You can also backdate your live performance royalties. It’s worth doing if you play a lot of gigs, And even if you don’t play often, I would still claim what is yours. Hope this helps. 
The use of pseudonyms is mainly when you are involved in multiple self directed or multi member projects that you wish to differentiate for a reason. Sure it’s obvious what the purpose of pseudonyms is, but wanted to make sure. You never know.
By the way, all your payments are dressed to your main PRS MEMBER and CAE name of the agreement and not addressed to pseudonyms depending on tracks registered in which pseudonym. So maybe something simular should have been done here by typing the main member and cae number to your track info.
Thanks Jonny for your reply! Royalties are never much anyway. But, by summing them all up is were you see interesting numbers appearing. No?
Thank you @GavinJack for your reply, it helps a lot! So let’s say I fill the report for live performance and add my already registered tracks in the list. Is anyone paying a licence? Does me, the theatrical troupe, director or producer has to pay a license fee to PRS? That is what I don’t get.
For example, If my music is being aired with an add, it means that a producer picked my track to include it in an add for example. That means that the BROADCASTER had to pay a licence permitting him to use my track and air it. From that money I’m getting my cut.
But what about a live performance?
By the way, another simular situation, is to use your own PRS registered track for a youtube video of your own creation or for a client.
indeed!
I’ve never performed original material live, so it’s not something i’ve ever had to deal with. Hopefully it’ll get you a few £
good to know 
Hi Alexandros. All music venues have to pay for a PRS License. When you claim Performance Royalties, you are basically claiming the money that the venue has already paid to the PRS. i.e The PRS collect money from venues to pay you. As far as live performances go, you don’t need to fill in a cue sheet. However, if your music is played on radio or used on tv, then it’s the radio or tv channels duty to fill in a cue sheet and send it to the PRS so they can pay you accordingly. If you know that your music has been used on tv or radio, you can also report the usage to the PRS.
@GavinJack I am very aware of all these and how the system works with tv and radio, cue sheets etc. What I don’t know is how to deal with a theatrical play.
Let me get into more detail. I’m in this theatrical team and I have composed original music to play along the theatrical play and I’m trying to understand if I can claim performing royalties from these tracks that I will “perform”. I can understand that in music venues things are a lot more straight forward because that’s what they get their income from (music events). But a theatrical troupe cannot have a PRS license just for the once a year theatrical play they release and to play my music. Plus we’re talking about an amateur troupe.
ah. ok. I see where you are coming from. In this case I’m not sure but here is what I think. If you log into the PRS website as a performer/writer, you should see a red box in the bottom/left of the screen that sais “report music usage”. This is where I think you might have to make your claim because because it’s technically not a “live performance” as such. There is another red box that sais “search licensed premises” that you might find useful. You should maybe call the PRS to find out more about this type of claim. Sorry I can’t be more helpful at the moment. I need to call them next week to find out some stuff, so I can ask about this and let you know what they say. Can you tell me the name of the place where the play will be showing?
Thank you once more for your help! The next step was to investigate and come in contact with PRS to clear this up! Just wanted to share this with you guys before. I’ll do my research and get the information I need! I will come back to report the results for you guys to know! Thanks again!
Hello people,
Hope everyone is fine! I would like to share the following with you guys and maybe someone could give me a hand. Last year I register a track to PRS. I submitted same track some months later here to AudioJungle. The track couldn’t go through unless I was going to change something in the track. Which I did and then it got approved. I had then to go and register the “AudioJungle” edited track to PRS again. The thing is that I used the same name when registering it in PRS. So now there two tracks with the same title, same track. Only difference is the one is “short edit”. In PRS you can edit the tile or put alternative titles. So what I did is putting an alternative title in PRS hoping that I could change the title here in A.J. too. Unfortunately renaming the tracks [Track Name (Short Edit)] here in A.J. was rejected.
So, how should I deal with it? Btw PRS didn’t reject my registration in the first play even though I used the same title. Which I find a bit strange. The track length though is different.
Thank you
Hey Guys and Gals. Are any of you aware of this thread concerning the PRS stance on royalty free music?
A question for PRS members on here.
I had a read through and got really confused by all the comments. Since audiojungle allowed us to sell PRS registered tracks on here, I’ve registered all my AJ tracks with the PRS.
Some say that if you want to sell royalty free music on AJ as well as being a PRS member, you need to make a new company name for AJ sales…
Is there a general protocol that we should follow to sell on AJ while still being a PRS member?
Thanks
Hey!
Don’t worry!
This is an old thread, before envato changed their PRO rules 
F
I confirm what @fraserpurdie is saying !
Thanks for the reply! That’s good to know
Hi there.
I have some info regarding the PRS that you might be interested in. Apparently the tracks that we register with the PRS for synch have a different (higher) tariff than that of any commercial tracks that we register.
I just spoke to a PRS staff member and he told me to email them and ask for the forms so that I can register my library music with them.
I also told him that I have already registered some tracks with the PRS that have already been used for synch and that I’ve received royalties from. He told me to inform the PRS of these tunecodes so they can make amendments to these works.
I’m just going to email them now and I’ll keep you posted.
Did any of you know that we have to register differently for library music?
Regards
Gavin
I didn’t thanks for the info
UPDATE!.
After talking to the PRS further, it turns out that the music we have here on Audiojungle should just be registered with the PRS the usual way, without any forms to be filled in.
I just got my first royalties from an audiojungle track! It was used on a show on the syfy channel about a year ago. I wasn’t hopeful that I would get royalties from AJ so it’s great to see this coming through. J
That’s great news and give hopes to all of us! I haven’t got any sale for a long time in AJ. I’ve noticed that the first period after submitting (and approved) is more prosperous.