Yes, I agree with you. They will go crazy, if they pay many attention on each track. I also met soft rejection. But, in my opinion, it’d been too much hard-rejections for the whole 2022. And it’s not only my problem: many authors (from newbies to elite) met the same problem.
I think that hard-reject is about very bad and not commercial track, which is composed by some garage-music maker. But when your music sounds, objectively, good and could be used in some media-project, and it’s hard-rejected, this confuses me. Yes, I’m not cool composer like Steve Jablonsky or Howard Shore, but I have some experience, I work a lot and I know typical mistakes on AudioJungle.
And, like in any market, you want to bring some new ideas which could change the view on popular items: corporate, meditation, cinematic etc. So, you try to do that, because logically Envato should be interested in this for the perspectives of much bigger profit. And when you send your track to moderation, they reject it.
After that you see how new tracks appear and they have nothing special, comparing with older ones and popular ones. I even do not talk about strange and awful tracks which just confuse you, and you have no idea how did they get on AJ. Admit that AudioJungle has too much typical corporate tracks, for example. As an author, you want to upgrade the style by adding new instruments or changing the idea (never mind), but Envato rejects it. Seems like they don’t want that.
However, there’s hard economical situation in world, and Envato hardly will let you make experiments of upgrading the industry. That’s kinda sad