It feels like the orchestra is at a distance, and there seems to be too much compression in various elements --and they seem like they’ve been applied individually at varying levels, and not on the mixbus. This can be okay with certain instruments, but in one of the tracks it sounds like the strings are compressed separately from everything, so it sounds like it’s not part the same track. For hybrid trailer tracks it’s usually okay to compress percussion differently than everything else. And if you do compress things differentially in the mix, there needs to be something gluing it all together to make it sound like they are all part of the same track/recording.
Like others have said, some really unique stuff here.
Don’t feel bad. Having a track rejected on AJ is like a badge of honor.
It can be confusing and frustrating at times. Just keep trying. Sometimes there doesn’t seem to be much rhyme or reason for rejections/approvals. Just don’t give up.